Closet Sci-Fi Geek

Max & Co

I went to see Max & Co this week. A cute story by Christine Dory and Emmanuel Salinger, and very cool stop animation. The mise-en-scene is a nice mixture of steam-punky technology and alpine small-town idealism. And there’s something I really like about French with subtitles. Just sounds cool.

While it’s essentially a kids film, it has some nice adult level moments, like when the captured flies are gassed, have orgasms, and lay eggs while cavorting drunkenly through the air. Well, I laughed.

So, highly recommend it if you get the chance to see it.

Zombies on the brain

Zombie’s scare the bejesus out of me. I read in a dream book that Zombies represent a disconnection from feelings. If you are feeling numb, depressed, cold inside, or if you are completely consumed by a certain feeling, like hunger or fury, then you are the closest to being a zombie – at least according to dream symbolists. I think the loss of rational thought, that which makes us civilised human beings, is also what makes Zombies a terrifying prospect. You’re bog-standard, shambling, ‘brains’ groaning Zombie is a classic example, and made wonderfully chilling in the game, ‘Resident Evil’. The other, and I personally think scarier Zombie, is the ‘Rage Zombie’ portrayed in Danny Boyle’s ’28 Days Later’. That film, and ’28 Weeks Later’, have given me nightmares, and I still half expect when I look up at the glass sliders first thing in the morning, when it’s still twilight, to see a rage zombie, drooling blood, glaring at me with red eyes, just waiting to dive through the glass and eat my spleen.

[Shudder]

Lately I’ve watched Robert Rodriguez’s ‘Terror Planet’ and Johnathan King’s ‘Black Sheep’. Neither of these frightened me – in fact they made me laugh which was the creators’ intention I’m sure. ‘Black Sheep’ was particularly cool as I grew up on a sheep farm and my father always wanted me to write a story about mobs of rabid sheep revolting and running amok. Johnathan King got there before me, and Dad would have loved ‘Black Sheep’ had he lived to see it.

So there’s my thoughts on Zombies. What do you fullas and fullesses think about them?

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Categories: Horror, Video Games
Tags: 28 days later, black sheep, resident evil, zombies
Other posts by Edwin McRae

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If you woke up tomorrow with a different set of memories, would you still be you?

A while back I watched A Scanner Darkly. While this is a good enough film (and yet another cinematic adaptation of a Philip K Dick novel), it’s certainly not the best film I’ve seen about fractured identities and perspectives that are warped by drugs or technology. Total Recall has much more fun with the

topic. Based on “We Can Remember It for You Wholesale” by Philip K. Dick, it raises the fundamental question - do memories define character? If your memories tell you that you are a gun-slinging, ass-kicking spy; does that make you a gun-slinging, ass-kicking spy? Bladerunner (based on Philip K Dick’s, ‘Do Androids Dream of Electric Sheep?) takes a more meditative approach to the topic. Is the film-noiresque hero, Deckard, real or not? Is he a human or is he a replicant who has forgotten that he is artificial. The random selection of antique photos on Deckard’s piano gives us a clue. Are they a record of Deckard’s past or are they a badly constructed history; a collation of tenuously linked memories. Then there’s the unicorn dream he keeps having. Again, is this his subconscious at work or another memory, implanted by Tyrell Corporation? Similarly, if you can hide memories, can you hide a personality? Take Talia Winters from Babylon 5. One minute she is a mild mannered telepath, minding her own business as best she can, the next minute her ’sleeper’ personality has been activated and she’s a cold-blooded killer. Ditto with The Long Kiss Goodnight. Amiable housewife becomes professional killer. There are many many many other examples. But just one question really. If you woke up tomorrow with a completely different set of memories, would you still be you?

Mighty Orbots

Here’s a TV series I loved as a kid in the early eighties. Mighty Orbots was similar to Starfleet in that it involved a bunch of different machines that joined up to make one big, kick arse robot. But in this case, the machines are the characters themselves – Tor, Bort, Crunch, Bo and Boo. Crunch was my favourite (the blue fat one of the left). He’d eat anything, including rocks. There’s something about chomping through granite like it’s chocolate that’s really cool.

I used to almost run the kilometre of gravel road home from school to catch Mighty Orbots, and dreamed of us having the latest of luxury inventions, the mystical ‘video recorder’ so that I could record them and watch them again. Alas we got our Black Diamond some time after Mighty Orbots finished screening.

While Starfleet was a Japanese production over-dubbed for the English market, Mighty Orbots was a joint American/Japanese production. I only realise this now, looking back, but I must have had quite a thing for the Japanese aesthetic.